When inverted, these chords sound as a diminished seventh in root position: This also means that a chord can be written in four different ways. Both share three notes and if we combine the notes of both chords we obtain the dominant minor ninth chord: Another interesting fact about this chord is that it is a symmetric chord, all the intervals are minor thirds or augmented seconds (both intervals have 3 semitones). California Scholarship Online requires a subscription or purchase to access the full text of books within the service. The Chromatic Fantasy and Fugue (BWV 903), one of Bach’s best known works, is an extravagant work of virtuosity and bold harmonic structure. Published by teoria.com. Piano Book. Although these two examples provided by Bach and Chopin, this use of the diminished seventh chord is not discussed in traditional harmony books. Please, subscribe or login to access full text content. A diminished chords progression (red in the example) chromatically descending between the melodic line and the pedal. Its flamboyance and freedom, pathos and furor recommended it to the age of sensibility in the late eighteenth century as well as to several ages of Romanticism in the nineteenth, resonating in the soundscapes of both the perfected clavichord and the fully developed modern piano. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its About a century after Sweelinck, J. S. Bach contributed the most famous examples of the form, in his Chromatic Fantasia and Fugue, BWV 903. The chromatic fantasy, as a form, fell into neglect in the later seventeenth century. In 1910 Heinrich Schenker put out an edition of the Chromatic Fantasy and Fugue accompanied by a fifty-page monograph, still one of the most comprehensive discussions of any Bach fugue to be found in the musicological literature. (c) Copyright University of California Press, 2020. Chromatische Fantasie und Fuge. By using our site you agree to the use of cookies. Details . Here is a fragment from the last measures of the Fantasy. Bach's Chromatic Fantasy and Fugue is an amazing work. teoria.com uses cookies. In 1910, Heinrich Schenker put out an edition of the Chromatic Fantasy and fugue accompanied by a fifty-page monograph, still one of the most comprehensive discussions of any Bach fugue to be found in the musicological literature. The epithet ‘Chromatic’ refers to the three-part fugue, the theme of which moves in such mysterious half steps (chromatically) that the key only becomes firmly established along the way. DOI:10.1525/california/9780520243583.003.0007, Chapter 7 Chromatic Fantasy and Fugue, BWV 903, Chapter 8 Prelude and Fugue in E-flat Major, Chapter 10 Fugue on “Jesus Christus Unser Heiland”, The Art of Fugue: Bach Fugues for Keyboard, 1715-1750, Chapter 7 Chromatic Fantasy and Fugue, BWV 903, Chapter 8 Prelude and Fugue in E-flat Major, Chapter 10 Fugue on “Jesus Christus Unser Heiland”. We will change each chord to its equivalent diminished seventh chord (a major third above): By arranging the notes so that each note moves chromatically (the F# moves to F) and some enharmonic changes we get the same chords used by Bach: So the progression used by Bach - as well as that of Chopin - is based in the cycle of fifths progression. All Rights Reserved. Read our privacy policy for more information. Published to California Scholarship Online: May 2012, DOI: 10.1525/california/9780520243583.001.0001, PRINTED FROM CALIFORNIA SCHOLARSHIP ONLINE (www.california.universitypressscholarship.com). We find 3 elements in this section: These are the diminished seventh chords used by Bach: Before analyzing this passage we will discuss some important aspects of the diminished seventh chord. Chromatic Fantasia and Fugue in D Minor BWV 903 by J. S. Bach Book - Mel Bay Publications, Inc. : Mel Bay Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. $13.95 $11.16 (20% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks. It is now often played on piano. Close. This chapter deals with a very different genre from The Well-Tempered Clavier—music for display rather than study, for spontaneous effect rather than learning or subtlety or refined detail. Keywords: Marked in red is the note group corresponding to the eighth beat, inside which there is the golden ratio boundar y . Bach's Chromatic Fantasy and Fugue is an amazing work. In the case of Bach, all twelve keys are visited. This newly engraved edition of the Chromatic Fantasy and Fugue, BWV 903 is based on Bischoff's analysis of several documents, including a 1730 manuscript belonging to the Berlin Royal Library.
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