One thing that was cool was that I actually ended up playing songs that I’ve never played before. Want more Rolling Stone? What that means is that there were a lot of songs in 2016 that I know I’d never played, or if I did, it was like once or twice. Most of the music on the show is piano-based and some heavily feature synthesizers. Radiohead – “House of Cards” 8. You\'ll receive the next newsletter in your inbox. Hynes recently took home an ASCAP London Music Award for his OST for the drama starring Jodie Turner-Smith and Daniel Kaluuya. The release, curated by Guadagnino and music supervisor Robin Urdang, includes three live Blood Orange tracks recorded at Bologna’s Club Locomotiv. It’s pretty wild! Like, I don’t want to say that a fictional character made me realize that people listen to my music, but it’s somewhat true. It wasn’t even really a big conversation. “The Long Ride II” 13. DEADLINE: We Are Who We Are deals with themes of identity, transformation, love and loss. Firmata da Blood Orange (Devonté Hynes) la colonna sonora di «We Are Who We Are» è anche più magica di quella si «Suspiria». We talked about film and talked about music and composing. 2. Julius Eastman – “Gay Guerilla” Please continue to respect all commenters and create constructive debates. Hynes was cast in a brief role as himself in Guadagnino’s forthcoming show We Are Who We Are, about two American teenagers, Fraser and Caitlin, who meet on a US army base in Italy. While I was there, that was something Luca and I connected on because we discussed a video I’d directed for myself called “Saint,” and I was super-inspired by Jonathan Demme during that video. They are so simpatico, in fact, that what started off as a small cameo by Hynes in Guadagnino’s new eight-part HBO/BBC Three series soon turned into a full-blown collaboration. Log in or link your magazine subscription, Photo: David M. Benett/Dave Benett/Getty Images for Renell Medrano & WeTransfer, https://pyxis.nymag.com/v1/imgs/5d5/898/8197c6953c1bec5257db823b42f884c81b-Dev-Hynes-chat-room-silo.png, Princess Diana’s Dance Partner Remembers Their ‘Uptown Girl’ Performance, Lauren Graham and Scott Patterson Had to Quit Smoking to Do, Prince Charles’s Most Punchable Moments in Season 4 of, What to Read, Watch, and Listen to Instead of, Neal Brennan Gave Chris Rock an Original Artwork by Rachel Dolezal, “I have an original Rachel Dolezal in my hallway.”, Happy Thanksgiving, Now Here’s Another Trailer for, Dolly Parton’s Parade Performance Was Socially Distant but Emotionally Necessary, Bebe Rexha Was Sabotaged by Confetti During Her Thanksgiving Performance. Hynes: It just happened naturally. As the HBO Max limited series comes to its first season finale, Hynes spoke to Deadline about initially joining We Are Who We Are as a guest, collaborating the Luca Guadagnino for what the director sees as an “eight-hour film” and the show’s numerous, unapologetic odes to Blood Orange himself. 15. Joss Whedon Bows Out of Forthcoming HBO Series, Whedon is currently under investigation by Warner Bros. for alleged misconduct on the set of, The 40 Best Horror Movies on Amazon Prime, Mads Mikkelsen Will Replace Johnny Depp as Grindelwald in, What to See, Watch, and Stream This Thanksgiving. “Notte Transfigurata II” “We are who we are” and “It is what it is” feel quite celebratory, but there’s also an acknowledgement of the messiness of it all. 14. The producer, film composer and artist known as Blood Orange has redefined contemporary music but it’s taken teaming up with the Call Me By Your Name director to accept it. It’s essentially the beginning of where I came from as a musician, from like when I was younger working in an orchestra. I just can’t do it. We Are Who We Are (Original Series Score) Track List, 1. And I love how it echoes the title of the show; they’re like two sides of the same coin. I know where I was in that time, physically but also emotionally and mentally. DEADLINE: How did your experience scoring this TV series differ from your time composing for Queen & Slim and Palo Alto? “We just started talking about modern and classical music we were both interested in,” says Hynes casually. DEADLINE: Which numbers were more difficult to create? The LP also features Prince (“The Love We Make”), David Bowie (“Absolute Beginners”), Radiohead (“House of Cards”), Aaron Carter (“American A O”), Giorgio Moroder and Philip Oakey (“Why Must the Show Go On”) and a cover of Sade’s “Solider of Love” by Martin Scorsese’s daughter, actress Francesca Scorsese, who appears on the show. Or they would be listening to my song “Time Will Tell.” It was still very confusing. “My relationship to Blood Orange was a little weird and a little fractured,” he says. I think the first scenes I worked on were in episodes one and two: the bike ride out of town that Fraser follows Caitlin on, and Fraser when Caitlin is reading a poem and he’s kind of spying on her. You can find our Community Guidelines in full here. Hynes: It’s definitely given me a bit more confidence and allowed me to work on different sounds that I’ve wanted to work on but never had the opportunity to do. The album features 12 pieces written by Hynes for the coming-of-age drama, along with four previously issued instrumentals from composers Julius Eastman and John Adams. Hynes was cast in a brief role as himself in Guadagnino’s forthcoming show We Are Who We Are, about two American teenagers, Fraser and Caitlin, who meet on a US army base in Italy… Hynes released multiple projects in 2019: the Angel’s Pulse mixtape (as Blood Orange), the classical record Fields (with Third Coast Percussion) and the score to Melina Matsoukas’ film drama Queen & Slim. His version of Tame Impala’s “Borderline” is out now and a remix of a song by the Canadian New Age innovator Beverly Glenn-Copeland is forthcoming. How did you use the script to inform your sound? 9. Like, I remember going to see I Am Love at IFC, like, twice in one week because I was so enamored with that film. In We Are Who We Are, his stirring piano, synth and cello-laden compositions becomes the unseen narrator of the show, creating an emotional mimic that takes the audience where they need to go as much as the characters. It took us so long to make an album because we would make different albums with different genres." The Optimism Remains, ‘Stardust’ Review: Rock & Roll Biopic Suicide, Bruce Springsteen, Morgan Wallen, Dua Lipa to Perform on ‘Saturday Night Live’, The Thanksgiving Miracle of Taylor Swift’s Acoustic ‘Folklore’ Session, Perfume Genius Taps Pigman for Surreal ‘Some Dream’ Video, ‘Jeopardy!’ Names Ken Jennings First Guest Host After Alex Trebek’s Death, Hear Ariel Pink’s Surfy Cover of the Dovers’ ‘She’s Gone’. 5. It’s all still sort of in process.Exactly. It feels really wild to see them do that. Blood Orange’s Devonté Hynes will release the score to HBO miniseries We Are Who We Are on October 2nd via Milan Records. That’s a very beautiful message for anyone, really, but when you’re younger, that’s a good thing to keep in mind — to be told, “Shit’s always going to be messy, and that’s fine.”. “Good Job, Soldier” I think it’s also a nice reminder that you never know where something you make may land, whether that’s emotionally or even quite literally. Watch the trailer here. I say no to all of them because they all sound terrifying, or they could be awful or something. Are you sure you want to delete this comment? Aaron Carter – “American A O” DEADLINE: What has your time composing for We Are Who We Are taught your capability as a composer? I really don’t. Klaus Nomi – “Keys of Life” It’s kind of interesting because when I think about it now and I take a step back — so it’s 2016, he’s a kid who obviously shops at, like, Dover Street Market or whatever, and he’s been dragged away from New York to this Army base.
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