“Ghosts of War” gradually glides away from these real world atrocities, though it very much revisits them during its shocking climax, to coast into an escapist fantasy of supernatural suspense. A s a horror film that deals in hauntings and temporal displacements, writer-director Eric Bress’s Ghosts of War almost feels aptly dislodged in time. I refuse to give spoilers but let’s just say I had no clue where this twist was going — but it was amazing when it was revealed. Spoilers for 'Ghosts of War' To most people, World War II was a horror story in itself. Chris (Brenton Thwaites) and his four fellow Americans have orders to maintain an Allied outpost at an old chateau in Nazi-occupied France. document.querySelector("#ads").addEventListener('click',function(){ hitType: 'event', But what happens when you take soldiers who have lived through that nightmare and plop them in a haunted house bearing the scars of Nazi presence? Copy to Clipboard. While it could be called a little generic in that sense, it gets everything right that a haunted house movie should. A gaggle of American soldiers make their way to a fancy French chateau at the end of the second world war. The makers of this Second World War-set ★★★☆☆Betting the house on a final reel twist is a risky move. Ghosts of War is an uncommonly atmospheric and clever film. As intriguing as the premise is, we can't help but be a little disappointed by the end product By Remus Noronha Published on : 23:00 PST, Jul 16, 2020. 'Ghosts of War' Review: Talent of actors wasted in a predictable and out of logic haunted house war movie . Overall Thoughts . I watched it on the edge of my seat, while mentally just sitting back to take everything in, and then a time came when writer/director Eric Bress grabbed my comfy chair and spun it right round. There is also some gore, although I have seen worse. The twist in Ghosts of War ... For most of the film Ghosts of War is a straight forward haunted house movie with the backdrop of World War 2. If you love horror movies that are filled with jump scares, Ghosts of War is for you. The Strangers didn't have a twist ending, but it played with silence in a frightening way, and completely eliminated the soundtrack from the equation. The story overall is actually a good one. It could easily have come out two decades ago, around the time of Bress’s own The Butterfly Effect—that post-Sixth Sense era when suspense films seemed almost obligated to reveal their structuring conceit in a last-minute twist.
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