I have chosen to use the B minor pentatonic scale because it has an F# so it is better at getting the maj7 sound across than the E minor pentatonics scale. That is the best way for me to improve my lessons and make them fit what you want to hear. The first 2 phrases of Stephen Foster's "Oh! When it comes to pentatonic melodies, improvisation works really well. So how can this scale help you make up music on the fly? The examples at the end of this lesson I am demonstrating how to use these voicings on a II Valt I progression in the key of G major. So in any key you can find the Scale with the Root. Improvisation The notes of an E natural minor scale are: 1 – 2 – 3 – 4 – 5 – 6 – 7 I hope you can use this idea and the examples I went over here to create some new comping lines and sounds for your own playing. It is, without doubt, the easiest and most useful scale you will ever learn. This scale is made up of the root, second, third, fifth, and sixth of the major scale. Notice anything similar? How do you know which 5 notes to use? You can see that in the video above. Required fields are marked *. All the examples in this lesson are using the E minor pentatonic scale. When soloing with this scale just make sure you are playing them over a major chord and it will sound great. That’s exactly what “How to harmonize a Melody” is meant to solve. A play-along bootcamp / lesson on how to play beautiful piano chords. An equally common use of the scale is over an E7 chord to get the bluesy sound of a minor scale against a major chord. The article explains how to use the Pentatonic Scales to improvise on the piano by demonstrating it on video tutorial. As a beginner, I have visited a number of sites offering music lessons and I find your site more trainee friendly. You can dig deeper into the theory of this if you want, and learn about hemitonic scales (those that use one or more semitones) and anhemitonic scales (those that use no semitones). And they provide such a wonderful starting point for riffs, runs, and melodies. You don't need a lot of notes to create emotional music. The pentatonic scale is arguably one of the most widely used scales in music. So try it out! In that way you get an idea of what is available in the scale when used over the chord. When it comes to pentatonic melodies, improvisation works really well. By signing up you’ll also receive our ongoing free lessons and special offers. Many popular melodies are based on this five note scale. I often refer to your e-books for inspiration. 500 Songs The harmony of Blues music is not usually sophisticated. The Pentatonic Scale is a flexible scale for improvising and apart from the standard way, which is combining a scale with chords in the same key, you could also be outside the key. Since three of the voicings we get per pentatonic scale are stacks of 4ths we can very often get away with these half step shifts when changing chord which is a very smooth way to move from one chord to the next. Many thanks! This is because they are a whole step from the 3rd and tonic and don't have the same strong resolution tendency as the half steps in the major. We can also apply the scale to a G major chord that isn’t a tonic but instead a dominant chord. That will keep your root note of the minor pentatonic scale the same as the major pentatonic scale.. Stop struggling with your songwriting technique. You have been stellar in my book. It takes you step by step through MI's well-known Harmony and Theory class. Chording The reason for that ease is because the 4th and 7th notes of a major scale are a bit fussy about which chords make them sound good. I spent two weeks with this book this past summer and am delighted that I did. Learn how your comment data is processed. You can play piano at church! In the first example I start out with two different voicings from the Am pentatonic. There is a major Pentatonic scale and a minor Pentatonic scale. I've only very recently started writing songs (I've written four...but all within the last week! I think they are brilliant and fabulous to learn by. Now we have one we can use on the Am7, and we need to find one for the D7alt chord. Toll Free: 1-800-439-8921 / Direct: 1-604-855-7605 / [email protected], Musora Media, Inc. © 2020 - Terms / Privacy. In this lesson I am going to construct some 3 note chord voicings with the pentatonic scale and use those chords to play altered dominants, maj7 and m7 chords. The lin concludes with a Bm triad that skips down and then ends on a 2nd inversion D major triad. You don't need a lot of notes to create emotional music. With a little bit of chord knowledge you can start playing worship songs on piano. Lisa Witt / Learn the skills to get started reading worship chord charts and playing simple piano chords. Fill out the form below to sign up for the free periodic Player's Guide Newsletter! If you want to study the examples I went over in the lesson you can of course also download them as a pdf. But for the purposes of this post, you won’t need to know anything more than the standard major pentatonic derived by eliminating the 4th and 7th notes of a major scale. C major pentatonic Blues scale: F major pentatonic Blues scale: G major pentatonic Blues scale: …for the 1-chord, 4-chord, and 5-chord in the key of C major. Lisa Witt ), and the information you offer is incredibly useful. Learning chords is a great way to improve your piano skills without any music theory. Keep it coming. from pentatonic scale to PIANO SCALES from pentatonic scale to HOME Best Home Study for "Ear Players" After checking out dozens of home study courses that teach you to play by ear and focus on chord progressions I am convinced that the folks at Hear and Play have the best, most well rounded program available for just about all styles of music from Gospel to Jazz. Please subscribe to my YouTube channel and feel free to connect with me via Instagram,Twitter Google+ or Facebook to keep up to date with new lessons, concerts and releases. The scale then contains almost only alterations over the chord. The 6th included in the scale probably wil sound more like a 13th over the chord. It will in fact work in almost any style over a maj7th chord to use the minor pentatonic from the 3rd. Lisa Witt / The pentatonic scale is also an excellent help when playing over an altered dominant. G – A – B – C – D – E – F#. Firstly, let’s take a look at the major pentatonic. And again this scale can be used over pretty much any chord progression in the minor key. When using the scale in this context it lends itself to a more bluesy sound. The scale becomes the G major triad with a 6th and a 9th. One additional bit of advice: You’ll find that simple, basic progressions work well, and have a nice, lulling effect in pentatonic harmonizations: But as part of your improvisations, try fitting in some altered chords, and also some non-diatonic ones… chords that don’t naturally belong to the chosen key. My Best Recommendation: Click here for the BEST piano/keyboard course I’ve seen on the Internet. Play any of these chords in the left hand and then play any note from the Pentatonic Scale and it … Here are some other major pentatonic scales: If you have ever played around with or tried improvising with just the black keys on a piano, you have been playing with a Gb major pentatonic: Gb-Ab-Bb-Db-Eb.
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