shure ksm137 vs sm81

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I liked the sm-81 best overall, especially on the first part, followed closely by Geffell which sounded a bit more natural. It is considered industry standard and although there are plenty of different SDCs available on the market today, few of them can quite match the old Shure in terms of quality. The KSM has this intersting omni function. Anything cheaper will likely sound harsher or colored. I've taken the liberty of renaming the Gefell and SM81 clips and presenting them without ID. I preferred the M70 on the first and second parts followed by the SM81. If you think that Shure SM81 doesn’t suffer from a distorted low end, then… you are right! Ok, once again let’s start with the frequency diagram. There is a lot more to it for achieving a good sound and the SM81 is one of the few mics that didn’t neglect other factors. i think you can find those under $300 each. The first part is finger picked, the second is picked with a pick and the last part is strummed. The mic comes with a plastic case, stand clip and wind foam. The KSM did a good job on the entire clip but it seemed to be missing something special. I don't know if the current ones are any different. The sound from the M70 is fuller to my ears. Gefell M70 makes the guitar sound Pro - listen to those overtones. Obviously, even the SM57 in the right place will sound better than the SM81 in the wrong place. Pictures Of Mic'ed Up Drum Kits In The Studio, Comparative Samples - MC930, KM184, AT4051, and XXX. I have recently used the T.H.E. I like that they are rugged, and to my ears a big improvement over the 81. It allows a much more natural and transparent sound representation and goes deeper than other SDCs, to the listener’s surprise. SM81 has uncolored highs, very insignificant distortion and it’s comfortable with high SPL sitting next to a cymbal. If you want to accomplish it with an SDC, I would suggest looking into KSM 137 instead, which is also used live. To my ears, the sm81 had a radio ready type sound. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. There are many different percussion instruments and all of them have different fundamental frequencies. For example, LCT-340 from Lewitt for $499 apiece. Select a Combination. You may use these HTML tags and attributes:

, Headworn mics provide unrestricted freedom of motion while cancelling, Electro-Voice RE20 Broadcast Dynamic Microphone Review, Rode Procaster Broadcast Dynamic Vocal Microphone Review, AKG Perception 220 – studio worthy budget LDC, Electro-Voice RE320 Review – Dynamic Recording Mic, Comica VM20 – budget DSLR & phone, mini-shotgun review, Røde VideoMic Pro+ Review, Premium DSLR Shotgun, Marantz Professional MPM-2000U USB Condenser Review, 7 Best Headworn Mics for Wireless Systems Review. Positioning of the mic is crucial, so take your time to try, and adjust if necessary. SM81 offers excellent definition, very consistent highs, low distortion and quality low end. thumbsup. KR-2c with great success. But there are also better mics! It has a high output level, low self noise and reproduces low frequency sounds exceptionally well. The build is rock solid and there isn’t much more to add. To tame the lower fundamentals, you need to create an area of pressure, so they don’t just disperse in the room. Hi, I did a small shoot-out between three SDC mics on acoustic guitar, the old classic SM81, new "precise" KSM 141 (in cardioid setting) and vintage Gefell M70 (with MV691 - my MV692 still waiting for its power supply). I have stopped using my 81's completely and only use the 141 in its place now. I have to agree that the sure ksm's don't have too much depth but they have a real nice present clean sound which i've used for overheads and acoustic guitar with really good results. I preferred the SM-81's as well, but I also think that the M70 sounded like it was in the wrong position. And instead of addressing those issues directly, they simply add more brightness so that in A/B comparison they would seem have more clarity. Now let’s get to the technical part, particularly I would like to talk about noise. For cheaper small diaphrams, I always liked the Audio Technica 4051, and the Akg 451 is great for imaging but bright for many sources. But of course there are amazing perks of using the SM81. All you need to know about wireless microphones. I like my gefell 582 for depth but whether I like the tone is dependent on what Im recording. You need an account to post a reply. It gives you amazing definition with a rich, realistic low end and mind-blowing crispiness. And you don’t even need the matched pair for them to work, just buy two pieces and you are set. Just replied a recent PM about which kind of SM81 is the one in test - it's the US made from the early 90's. Most consumers can’t afford the pair unfortunately. I think it’s highly debatable that using bright mics will have any advantage in guitar miking. the M70 definitely makes that guitar sound more professional, seconded by the sm81! Shure SM81 Shop now at Amazon. Microphone sound absorption and reflection. This attribute was nice for mono acoustic guitar, and great for OH and HH, but not so good for stereo pair recording. As long as fundamental frequencies aren’t very deep, it should give you an excellent performance. It is mainly used in studios for recording of guitars, pianos and cymbals but it’s also suitable for a wide range of different instruments. If you want a pair for free, you just buy their drum mics kit for $939, then sell the other mics from the kit, one by one, and you’ll get your money back, duh. there was no depth like a really good condenser. In a nutshell, it’s quite decent and more than enough for miking instruments… just don’t expect it to be nearly as silent as shotguns. Aside from its non-hyped response, this mic is capable of capturing all the details and subtleties without introducing harshness or graininess, and this is a very important point. Comica VM20 - budget DSLR & phone, mini-shotgun review, Shure SM81-LC is a very neutral and transparent instrument condenser with electret bias. I liked the ksm141 on the strummed part the best, the M70 and SM81 may be a little too full for a mix. There is a different issue, it sounds much richer than other SDCs, which is great but it can be overwhelming in the mix. Shure KSM141 vs Shure SM81 vs Gefell M70 on acoustic guitar. For this, open the piano only slightly by using a short stick. But I also had a chance to use some a bit more current, still US made and one of them sounded almost the same as mine, but another one was a bit "dry" - I suspect it was defect in some minor way. I do a lot of beta testing for Shure, so I have used the 141 a good deal (same as the 137 but with omni or card pattern). Shure KSM137 vs Sm81 How is the SKM compared to the sm81. Similar to acoustic guitars, it will also excel with pianos and grand pianos, as long as you know how and where to place it – and this is a crucial point. Liked the Gefell M70 best. Talking about distortions, I’ve not yet finished. I like the 81! Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. For overheads, those mics aren’t just great – they are almost irreplaceable. Not to horn in or derail the discussion, but I'm wondering how the comparison would go if the clips were blind. But let’s note that despite having a beautiful low end, it still won’t replace a good LDC, because we don’t want the reader to form an impression that it can handle everything, and then use it for something it wasn’t meant to do. I liked the Gefell a lot more on the first 2/3 of the clip but the the last strumming part goes to the SM81 IMO. The tone was pretty good, but everything was upfront. It is mainly used in studios for recording of guitars, pianos and cymbals but it’s also suitable for a wide range of different instruments. I use the earthworks SR77 quite a bit, as well the schoeps 4v is pretty amazing. However, most of those mics would only look cool on the charts but when put in real life recording situation they would sound real crappy. Shure SM81 is a brilliant choice for miking guitars although a bit costly. By comparison the KSM 141 sounds thin. This is where I like using them most, by the way. I find it has a lot more clarity than the 81 and while it has a soft peak at the top, it is a lot smoother than an 81 to my ears. nice audio test I liked the way this was presented. The sm81 is one of my all time favorites. Listened on Saffire Pro26DSP thru ATH-M50 cans. Hey there! How many times shall we repeat that Shure is capable of making durable things?

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