I've used the KSM27 for a variety of applications, including vocals, acoustic guitar, and a … The 27 has a slight bump in the 50 to 70Hz area, and a smooth rise starting at about 3.5 kHz up to about 8 kHz. It was almost like a proximity effect, without getting as close. diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording. There is a built-in pop grille with three separate mesh layers to reduce plosives. (Read that as “personality.”) I have to say that this particular stock U87 sounded a little rolled-off in the bottom end compared to the 44 and 27. More like the KSM44, I found the 27 to have a sweet and smooth HF lift. KSM27 microphone pdf manual download. Shure thinks of everything! It has low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Shure Inc., 222 Hartrey Ave., Evanston, IL 60202; 847/866-2200; fax 847/866-2279; www.shure.com. Like the KSM44 and KSM32, the KSM27 is a side-address condenser design. Shure KSM27 Cardioid Condenser Microphone. I used an AKG outboard phantom power supply and level-matched four inputs of the lovely API console at L.A.FX Studios in North Hollywood. Retailing at $575, the all American-made, cardioid-only KSM27 from Shure is one of the best values around. Its small size and versatility — qualities that made the Shure SM57 ubiquitous — belie its big sound. Compared to the others, the KSM32 has more of a somber quality from the midrange through the highs; I could see this mic working well for edgier voices. One immediately noticeable, unique feature that separates the 27 from the other two mics is its diminutive size, just over six inches tall. Here, I had no overload problems with the 27 — in fact, I didn’t even use the -15dB pad. Shure KSM27 Condenser Microphone The Shure KSM27 is a side-address condenser microphone with a cardioid polar pattern. The KSM27 is the third studio condenser microphone in the Shure line, following the KSM44 multi-pattern mic and the cardioid-only KSM32. Optional accessories include an aluminum carrying case, foam windscreen, PS-6 Popper Stopper, and a padded, zippered carrying bag. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone. (Actually, I borrowed the swivel mount from my KSM44, and it worked just fine!) I had an assistant quickly mute and open each mic by way of my hand signals, from out in the studio. Self-noise for the KSM27 is a low 14 dB. For this subjective test, I used my own speaking voice and a pair of loud headphones. Before a session, I set up A/B comparisons of the KSM44, KSM32, KSM27 and, for a reference to my ears, a Neumann U87. Visit his Website at:www.barryrudolph.com. You should use the -15dB pad here, because the 27 puts out a good hot level and your preamp will be at its minimum gain setting. The 27 matches the 32 with an 81dB signal-to-noise ratio spec, while the KSM44 offers a better 87 dB in cardioid pattern. Priced at $575 MSRP, the KSM27 comes in a protective velveteen pouch and includes a ShureLock rubber-isolated black shock-mount. The KSM27 comes with a rubber-isolated shock-mount and also has internal shockmounting that reduces stand and handling noise. It’s a great new mic that stands out in a plethora of models that have debuted recently. Here, the Shure KSM27 was a better choice, as I found little need to equalize unless I needed to “carve” the guitar’s natural sound to fit the track’s hyperbolic production. Next up, I miked acoustic guitars with the 27 and A/B’d the 27 with the producer’s Sanken CU-41. I loved that I could place this mic in just about any tight situation using the optional ShureLock swivel adapter. Checking the printed frequency response curves supplied by Shure for the three mics, I confirmed my preference for the 27 over the KSM32. There is also a switchable -15dB attenuator pad that was perfect for close-miking drums and guitar cabinets. View and Download Shure KSM27 user manual online. Published: 01/01/2002. Visit our corporate site. The Shure KSM27 is a side-address condenser microphone with a fixed cardioid polar pattern. Whether it’s your first studio mic or something to expand your mic locker, the KSM27 is a wonderful addition to any microphone collection. Update your browser to view this website correctly. Barry Rudolph is an L.A.-based recording engineer. By comparison, the U87’s high frequency was all there, in a more noticeable way. Sibilants were clear — and most importantly, clean — for all the mics, with the 87 and 27 a touch crisper. Update my browser now, I can't help but feel the love from a company that broadens its product line by offering a lower-priced model that could directly compete with its existing, By By Barry Rudolph I used the KSM27 in the studio for drums, acoustic and electric guitars, and vocals. The 27 matches the 32 with an 81dB signal-to-noise ratio spec, while the KSM44 offers a better 87 dB in cardioid pattern. Vocals went well, with the added low-end warmth of the 27 bringing out whatever little bit my singer had. The KSM32’s chart shows a flat, low-frequency response and an irregular contouring of the high frequencies between 2 kHz and 12 kHz. Both the KSM44 and 32 beat the 27 in dynamic range by only a couple of dB, with all three equal in maximum SPL rating at around 138 dB (153 dB without pad). The Sanken is a warm microphone that, in this case, made me want to reach for the equalizer on my Neve 1084 module. The 27 has good low frequencies (especially down to the subsonic), a warm, lower midrange and a clear upper midrange. Shure's new KSM27 fits that profile exactly. The KSM27 has a three-position low-cut filter switch and a selectable 15dB pad. The KSM44 has a very solid low end with a much “drier and cleaner” sound (its self-noise is only 7 dB) than any of the others. And like both the 44 and 32, the 27 uses a Class-A discrete and transformerless preamplifier with gold-plated internal and external connectors. The multi-pattern U87 and KSM44 were set to cardioid.
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